致敬了Pauline Kael和Tod Browning（开场箴言及她打扮的助理；Freaks 1932），除了演员的论述外，片中片一直在创造“看见并非真实”的环境，甚至最后尼日利亚司机的画外音引出的也不是另一处故事，而是继续验证不同场景下表演类似性的理论；

#ArtHouse# of the year. The unconventional definitions of comfort and discomfort, associated with one’s skin and the soul under. The best movie in a movie. Multiple motifs carried out without appearing to be too trying. One of the films to love even if there’s little to relate to personally.

0.2/10 再怎么看，也未曾想到此片竟然会是《宣言》降级版。没有了美貌演员的换装秀，本就漫长晦涩的故事更难以忍耐。当然，这部电影我只能感到的是各位制作人与表演者为满足自己的欲望而乱拍一气的一堆废料，丝毫没感到有任何深度。戏中戏的手法不是不欢迎，但越往后故事越乱，更别提剪辑全程下线。拿着一个没有完整展现的电影剧本，念着其中毫无价值的台词。你说这是艺术，我不会斥责;但在本人看来，这部电影真的只能用"垃圾"来形容。

Chained for Life tackles an issue that's rarely seen discussed yet is absolutely pervasive in any conceivable human society: lookism. The character in the film plays a character who plays a character; in this blending of set and reality, truths are told through lines and lines have become truths. In the meantime, the weight of (unwelcome) truths is cancelled the moment when reality breaks in, much like in real life truths have become unspeakable and people have made a habit of covering them with frivolous jokes and trivialities.

spectacle turned fairy tale

节奏。点线。多重故事。今天碰到DP，平时居然是IBM全职

何为表演？真真假假虚虚实实

1.27zyyzlm

标记

戏中拍戏的真假转换实在是过于频繁，而且自始至终都在进行，虽然和“所见非所真”主题挺契合，但对表达真的起到了反作用，至少最后我是有点乱。

imdb 6.6